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Hey Love

by Charlie Whitten

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    Album art by Robert Hudson and Carlyn Nelson

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1.
Hey Love 03:47
Hey Love Hey love, you know I’m going to stay I’ll take care of your things if you’re still going away No dear, things won’t be the same You will go your way and soon I’ll go mine We’ll keep in touch but time will take its toll She leaves home in search of betterment He stays back; proudly his will won’t be bent Men may woo, but to her they’re the same Soon she wonders if it's her who’s to blame She writes letters back to say That he’s missed and she’s on her way Back to him with open arms But by now he’s reeling and feels she’s gone too far Hey love, I hear you’re back to stay Will you watch over my things cause now I’m going away No dear, things won’t be the same I will go my way and soon you’ll go yours We’ll keep in touch but time will take its toll
2.
Just the Same It always seems you’re looking for a place to hide Short with the time and quicker in stride Where is the man who’ll take your turn? Some people live it and some never learn If ever life is making you strain You’ll find somewhere to place blame And even if you’re free from the pain You’ll feel the weight just the same Cutting the ties and starting anew Trusting the lies you’re telling to you Never been hurt and able to heal But if you’re unscathed it sweetens the deal If ever life is making you strain You’ll find somewhere to place blame And even if you’re free from the pain You’ll feel the weight just the same Heaven knows that you’re still searching For what’s beyond those bars But if you intend to find it You’ll have to bear some scars If ever life is making you strain You’ll find somewhere to place blame And even if you’re free from the pain You’ll feel the weight just the same
3.
Wedding Song 05:59
Wedding Song You always said that we’re a good bet, aren’t we? Let’s do this right and take both our time and see I’m not going to stand waiting in vain Come now take my hand we’ll be always and forever I told myself that you’d be enough; you’re more There’s no one nearby who I could say I adore I’m not going to stand waiting in vain Come now take my hand we’ll be always and forever They said that we never would be; they lied Now they look on as we become one and smile I’m not going to stand here waiting in vain Come now take my hand we’ll be always and forever
4.
Lefty Lover 03:04
Lefty Lover She only shows affection when the time is right for her And I’m left wondering what the hell it’s for When I return the feeling she recoils and asks if everything’s ok I say yes and long for better days Oh how I wish I could move on But she calls Says that she’s moved on Still she calls When people are around she always treats me like a friend One she’d never think to love again But when the night dies down and her friends can’t be found you know she’s thinking those thoughts… By morning she denies we’d ever talked Still I wish I could move on But she calls Says that she’s unsure Still she calls Years after the last time I had ever said her name I heard that she’d been hitched in another state Still I wish I could move on But she calls Says that she’s moved on But she calls
5.
I’ve the Blues I want to say that I’m sorry for my change in winds Like a kite, on them my direction depends You’ve seen my highs, but more than I’d like you’ve seen my lows And I’m ashamed, men don’t often let weakness show She didn’t know that I was crying there Couldn’t she see that I was plagued by thoughts unkind But I knew; I’ve the blues On your heart are hand me downs from your mom and dad You sift through what you’ve picked up and what you’ve had Some days good, others I don’t understand I didn’t see that that she was crying there How could I know that she’d been plagued by thoughts unkind But she knew, she’d the blues So I’m told, ups and downs are a part of life Wait it out, things work out as they should She won’t talk, spends her time singing lullabies I sing ‘long, what we have now is good Nobody knew that we weren’t crying this time They couldn’t see that we’d been swelled with thoughts so kind It was through, we’d the blues
6.
All Along 03:34
All Along I left home to prove to those who loved me most That I had someone in me that they did not know Who were they to say what I could not be? I’d show them that my life was up to me Got in with the right crowd and I made some friends “What do I mean to you?” They said, “That depends” But their love I sought and their love I’d win Went through hell and I’d do it all again And for what, Lord? Now they’d like to know who made me, where I’m from “How’d you go unloved unnoticed for so long?” “We’re so glad to have you please stay awhile” Sweet delivery but their words beguile Up until this time they had not made a sound And it turns out what I wanted only let me down So I hold my head up and head back home To the people who knew me all along All along, Lord All along, Lord
7.
Brownsburg 04:09
Brownsburg He left town and headed for the woods to find A plot of land, it was getting pretty close to time To settle down, meet a gal and build a home Something he could take pride in and call his own His brother from his hometown said “Man you done it right” “Would you mind if I came over and gave your place a sight?” “You’re looking mighty healthy, and while I admire your plan” “I never really took you for a small town man” Brownsburg, oh Brownsburg I had not understood That living such a simple life Could do me so much good There’s something bout the small town charm that quenched a mighty thirst And someone introduced him to the preacher at the Church “Do you know your savior and are your sins made right?” “With help from the Lord I’m sure you’ll make it all right” Brownsburg, oh Brownsburg I had not understood That living such a simple life Could do me so much good Now he’s got some spare time and he’s read a book or two He may not be an ‘learned’ man, but honest one its true Work is always steady and never hard to bear He wouldn’t have it any other way or anywhere BUT Brownsburg, oh Brownsburg I had not understood That living such a simple life Could do me so much good
8.
Waiting for Love to Break There was a time when life left you dry And I was the only one to stand at your side But yours are eyes that see only what they want to see While mine are fixed on everything that you mean to me But maybe that’s it, I’ll never quite know Just what I am feeling; will it die, will it grow But yours are eyes that see only what they want to see While mine are fixed on everything that you mean to me I’m waiting for love to break And all I’ve built up is at stake I’m waiting for love to break All that I have you can take Well I’m losing hope, and you seem not to mind I could be wrong it’s probably me who is blind ‘Cause mine are eyes that see only what they have to lose While yours are fixed on everything that I mean to you I’m waiting for love to break And all I’ve built up is at stake I’m waiting for love to break All that I have you can take
9.
Jack The Boy 02:30
Jack the Boy Jack the boy played the guitar the same way that he did when he first learned And he only played for friends and I was one Jack the man strummed the guitar in a band and forgot how good it felt To play for only those who cared But oh how he longed for just one lonesome soul to hear that melody And lend a willing ear So he picked and he sang 'til the blood within his veins Flowed with bitter wine to sooth a mellow pain But all that he played was in vain (Inst.) But oh how he longed for just one lonesome soul to hear that melody And lend a willing ear So he picked and he sang 'til the blood within his veins Flowed with bitter wine to sooth a mellow pain But all that he played was in vain Jack the boy played the guitar the same way that he did when he first learned And he only played for friends and I was one Jack the man strummed the guitar in a band and forgot how good it felt To play for only those who cared To play for only those who cared
10.
Who’ll Take my Place Maybe it’s time we sit down and talk about where we are Now I’m not trying to tell you what to do, just listen for awhile There are things that have gone unsaid for long enough And if you can’t be honest with your man it’s gonna make things tough Who’ll take my place if I have to go? It hurts so bad to think of you with someone else I’d rather not know I want it to be me But I know it cannot be From the start I’d wondered at the thought of taking your hand But I think so damned much sometimes I swear, I stand between that plan Now you might find what you have always sought in someone else But I’ve fought hard for every memory that you and I have got So who’ll take my place if I have to go? It hurts so bad to think of you with someone else I’d rather not know And who’ll share their days and sing you to sleep? I want it to be me Oh, how I want it to be me I want it to be me But I know it cannot be
11.
Hey Love (reprise) Joy short-lived he's fed up with one night stands Love spent loose lacks what he had in her hands But it’s too late this time he’s gone too fast He prays silently that her love may last Takes the train and thinks about All the time lost while running around But little does this man know That she’s home waiting for him to show Hey love, I guess we’re here to stay Stuck on opposite sides in the games that we play Young hearts so unwilling to change But we will go our way and soon we will see The paths we took made this love meant to be

about

Charlie Whitten grew up during the last gasp of the 20th century, a time when grungy rock bands and teen idols ruled the airwaves. You can’t blame the guy for looking back a bit, for rustling through his Dad’s collection of vintage records and finding some better music to soundtrack his life. Years later, the Nashville-based songwriter is rolling those influences into his own sound, a mellow brand of folk-rock that tips its hat to Pink Floyd’s psychedelic swirl one minute and Simon and Garfunkel’s acoustic wistfulness the next.

Some would call him an old soul. Others would just say he’s got good taste.

“For me, the ‘60s and ‘70s were the golden age for songwriting,” he says. “That’s when songs seemed to be the real focus, and people reached outside the box. The chords and melodies used were unheard of.”

Dreaming, Whitten’s 2012 debut, channeled some of the trippier sounds that came out of those two decades, from Dark Side of the Moon to Big Star’s Sister Lovers. The album was lush. It was dreamy. Keyboards, horns, and percussion collided, creating a soft foundation for Whitten’s vocals and guitar leads. When it came time to write songs for 2014’s Hey Love, though, Whitten took the electric guitar out of the forefront and focused on a quieter, stripped-down sound. In other words: less David Gilmour, more Don McLean.

A concept album about searching for love, Hey Love begins and ends with different sections of the same song. Fashioned like bookends, the first half tells the story of a couple parting ways, each partner in search of something else. In the second, they reconcile, knowing that things might not be perfect... but at least they’re real. Whitten took a similar approach to the album itself, which was recorded during a series of live sessions with a four-piece band. Overdubs were eventually added, too, but Whitten put his foot down when it came to the use of a click track. He didn’t want that. He wanted the songs to sway, to sound natural, to sound like songs.

“Any Charlie Whitten album has to sound like a band album,” he explains, “and I didn’t want a band of session players. I wanted a group of friends, of creative thinkers who could play the songs with feeling. I think a music album should be very similar to a photo album: a series of 'pictures' with the people you know, things you've seen, and places you've been within a period of time.”

Maybe that’s why Hey Love sounds so comfortable, so familiar. The songs tackle big subjects, but they do so with small, laidback touches: a whistling solo here, a burst of organ there, and a whole lot of melody throughout.

credits

released May 19, 2014

Album Art by Robert Hudson, Carlyn Whitten, and Sarah Rose Klearman
Photos by Bonnie Britt

Tracked in Nashville, TN at The Sound Emporium.
Overdubs at Alex the Great Studio, Glass Onion Studio, Reel Recording Studio and The Lealand House.
Mixed by Britton Beisenherz in Austin, TX.
Mastered by Jim Wilson in Longmont, Colorado

Engineered by Michael Rohr and Nate Taylor
Additional engineering by John Mark Capers, JD Tiner, Erik Thompson, and Stephen Turney.

Charlie Whitten - Guitar and Vocals
Robert Hudson - Bass Guitar
Zach Robinson - Drums, Percussion and Vocals
Wes Bailey - Piano and Organ
Brett Resnick - Pedal Steel
Robert Gay - Trumpet and Flugelhorn
Josh Blaylock - Trombone
Braxton Nicholas - Saxophone
Erin Rae Mckaskle - Background Vocals
Melodie Morris - Cello
Bobby Chase - Violin
Matthew Mills - Mandolin and Banjo

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Charlie Whitten Nashville, Tennessee

Charlie Whitten
Singer-Songwriter in Nashville, TN

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